Reviews

Arora offers us another invitation, which is a refreshing departure from the breathlessness of many studies of the new  technologies, and that is the chance to slow down, to pause, to contemplate our surroundings, to smell a possibly political rose. That she finds this potential in the very heart of digitality is one of the many surprises of this thoughtful and wide-ranging book.

From the Foreword by Arjun Appadurai,
Paulette Goddard Professor of Media, Culture,
and Communication, New York University


 

In this engaging volume, Arora applies the rich metaphor of the public park to explicate the many ways in which net-based technologies facilitate, but also converge activities of a social, political, cultural and economic nature. Technology as architecture invites, amplifi es, but also conceals or discourages. It disrupts and it sustains our daily endeavors into sociality, work, play and fantasy. Arora uses the metaphor of public parks to tell the story of how digital media support us through our daily lives. Through lively writing and layers of intriguing analogies, she compels the reader to think with her, as she explores what technology does to space. Arora lays out an intriguing vision of online environments as technology supported meta-parks that facilitate not just limitless connection, but, better living.

Zizi Papacharissi, Professor and
Head of Communications,
University of Illinois at Chicago


 

This is a brilliant navigation of worlds that are not usually brought in conversation: digital space and thick situated struggles engaged in claimmaking in the urban sphere. Payal Arora has deep knowledge and experience of both these worlds. Out of this encounter comes a concept the author deploys in diverse ways to mark digital space: the leisure commons.

Saskia Sassen, Columbia University
and author of Expulsions: Brutality
and Complexity in the Global Economy


 

Payal Arora offers the insight that social media are the latest chapter in a long history of spaces including city parks, walled gardens, office parks, fantasy theme parks and other semi-public, leisure-oriented environments. By framing new technological trends in terms of a ‘leisure commons,’ her work fi lls a gap that remained between the spatial metaphors that have proven helpful to make sense of new technologies, and a nuanced realization of how thoroughly leisure practices have permeated daily life.

Paul C. Adams, Associate Professor
of Geography and Director of Urban
Studies, University of Texas at Austin

One of Arora’s goals in The Leisure Commons is to put the critical study of social media in dialogue with the interdisciplinary body of research on urban parks. Readers will be quickly convinced by Arora’s wide-ranging exploration of park metaphors that the two fields share a number of core theoretical concerns.

Kevin Driscoll , Postdoctoral Researcher
Microsoft Research

Readers will value Arora’s argumentative advances from chapter to chapter. Arora thoroughly explains and articulates The Leisure Commons and appeals to a vast inter-disciplinary audience of media, rhetorical, visual culture, critical/culture studies, history, and geography scholars. In particular, media and rhetorical scholars will find that Arora’s metaphorical framework offers insight in regards to the digital public sphere, leisure space, virtual activism, online privacy, digital labor, and globalization of virtual networks. Media and communication scholars will appreciate this insight, which illuminates and compels readers to analyze and theorize the rhetorics of the public sphere, digi-tality, and leisure space through a new heuristic vocabulary.

Kiranjeet Dhillon
University of Wisconsin Milwaukee, USA

 

 

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